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Art Curation

Platforms introduces personal art curation for customers

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Source: The Business Standard

Platforms, a dedicated initiative celebrating and boosting Bangladesh’s vibrant art scene, has unveiled an innovative personalised art curation service that transcends conventional offerings.

According to a press release, Platforms aims to revolutionise how individuals experience and exhibit art in their homes or workplaces, leveraging a team of expert curators.

The art curation process by Platforms delves deeply into understanding your unique vision, meticulously crafting a curated collection that authentically mirrors your tastes and style.

Read more: https://www.tbsnews.net/economy/corporates/platforms-introduces-personal-art-curation-customers-755394

Art Curation

San Antonio Museum of Art Appoints Kristopher Driggers Associate Curator of Latin American Art

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Source: Glasstire

Mr. Driggers is a native San Antonian who most recently held the curatorial positions of Associate Curator of Latin American Art (2022-2024) and Assistant Curator (2019-2022) at the Tucson Museum of Art (TMA). While at TMA, he oversaw the first installation of the museum’s permanent collection in its new Kasser Family Wing of Latin American Art. He also organized various exhibitions, including CUMBI: Textiles, Society and Memory in Andean South America (2023); Popol Vuh and the Maya Art of Storytelling (2023); The Story of a Painting: José Gil de Castro’s Carlota Caspe y Rodríguez (2022); Francisco Toledo: Paper Fables (2022); and Noble, Proud, Wise, Lordly: Art of the Jaguar (2021).

In a press release, Emily Ballew Neff, SAMA’s Kelso Director, remarked, “With SAMA’s extraordinary collection of Latin American Art as a cornerstone, we are confident that Kristopher’s wealth of experience and passion for Latin American art will greatly enrich our institution’s offerings and engagement with our audiences and help lead us into the next exciting chapter of the museum’s history.” 

Read more: https://glasstire.com/2024/04/22/san-antonio-museum-of-art-appoints-kristopher-driggers-associate-curator-of-latin-american-art/

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Art Curation

ANNA MARIA MAIOLINO AND NIL YALTER GOLDEN LIONS FOR LIFETIME ACHIEVEMENT OF THE BIENNALE ARTE 2024

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Source: La Biennale Di Venezia

The Italian-born Brazilian artist Anna Maria Maiolino and the Paris-based Turkish artist Nil Yalter are the recipients of the Golden Lions for Lifetime Achievement of the 60th International Art Exhibition of La Biennale di Venezia – Stranieri Ovunque – Foreigners Everywhere (Giardini and Arsenale, April 20 – November 24, 2024).

The decision was approved by La Biennale’s Board of Directors chaired by Roberto Cicutto, upon recommendation of Adriano Pedrosa, Curator of the 60th International Art Exhibition.

The awards ceremony and inauguration of the 60th Exhibition, which will open to the public at 11.00 am on that same day, will be held on Saturday April 20th, 2024 at Ca’ Giustinian, the headquarters of La Biennale di Venezia.

Read more: https://www.labiennale.org/en/news/anna-maria-maiolino-and-nil-yalter-golden-lions-lifetime-achievement-biennale-arte-2024

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Art Curation

INTERVIEW: Delving into the Mind of Paton Miller: Artist, Curator, and Southampton Local

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Source: Hamptons.com

Sitting in Paton Miller’s home studio, a large warehouse-like building on the outskirts of his Tuckahoe Lane property, Paton led me through the adventures that allowed him to arrive right where he is today. Having grown up in this studio myself, from taking drawing classes as a child with Paton and running around their once-swimming-pool-now-turned-koi-pond with his youngest son Christian, it’s shocking to me that I never knew the tale that is Paton’s life story. So, let’s start from the beginning together.

On June 22nd, 1953, in Seattle, Washington, Paton Miller was born to Robert Miller, a pilot, and Barbara Miller, a chemist. With his older brother Chris, they resided in the Pacific Northwest until Paton was an early teen and then moved to Hawaii as a family in the late 60s. Paton recalled to me his constant desire to leave the damp climate of the Pacific Northwest with a line that stuck with me through our interview, “I wanted to get out of there, but it hasn’t gotten out of me.” While saying that, he gestured to a large standing canvas on my left where a singular evergreen tree can be found in the shadows of the painting- stark, for its presence is unexpected in an otherwise treeless narrative. You can find remnants of the Pacific Northwest as tiny but significant characters in many of his pieces.

Read more: https://hamptons.com/interview-delving-into-the-mind-of-paton-miller-artist-curator-and-southampton-local/

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