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Modern Art Museum of Fort Worth director Marla Price announces retirement

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Source: KERA News

When world-renowned architect Tadao Ando designed and completed the Modern Art Museum of Fort Worth’s iconic building in 2002, director Marla Price was behind the curtain pulling the strings.

Years later, during the building’s 20th anniversary celebration, Price stood front and center. From construction projects to the organization of exhibitions, Price had her hand in it all. Price joined the Modern in 1986 as its chief curator and rose through the ranks to become director in 1992.

On Tuesday, the Modern announced Price’s retirement after a career of 30-plus years. Through her leadership, the museum was elevated to international prominence and became “an outstanding star on a national and international scale,” said the Modern’s board chair, Marsland Moncrief, in a press release obtained by the Fort Worth Report.

Read more: https://www.keranews.org/arts-culture/2024-03-26/modern-art-museum-of-fort-worth-director-marla-price-announces-retirement

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How Do Museums Utilize Archives? “National Center for Art Research International Symposium and Workshop 2023” Report #1

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Source: Tokyo Art Beat

The National Center for Art Research (NCAR), which aims to be a new hub for promoting art in Japan with the mission to “Connecting, Deepening, and Expanding the Art,” held the “National Center for Art Research International Symposium 2023—Museum and Research: What does it mean to ‘deepen’ art?” at the National Art Center (Nogizaka, Tokyo) on March 22, 2024.

Four workshop sessions featuring curators, artists, and experts were held from March 21 to March 22 prior to the symposium. The first session focused on the theme of “Museums and Archives.” In the first half, panelists from domestic and international museums presented examples of collection and archival practice and raised questions concerning archiving artwork and materials. In the second half, while sharing the difficulties of accepting donated works, participants discussed and gave examples of archive utilization.

Read more: https://www.tokyoartbeat.com/en/articles/-/ncar-report-01-en-202404

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National Art Museum to showcase art pieces by Belarusian artists

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Source: Azernews

The Azerbaijan National Art Museum will open an exhibition themed “Belarus through the eyes of artists” on April 2.

The event is co-organised by the Culture Ministries of Azerbaijan and Belarus, the National Art Museums of Azerbaijan and Belarus, and the Belarusian Union of Artists Public Association as part of the Belarusian Cultural Days, Azernews reports.

The exhibition “Belarus through the eyes of artists” displays 35 art pieces.

In 2024, Belarus celebrates the 80th anniversary of liberation from the Nazi invaders. By creating picturesque landscapes as a tribute to the memory of the defenders during those historical events, Belarusian artists Anton Vyrvo, Anna Kononova, Gleb Otchik, Anna Sadovskaya, and Vladimir Urodnich offer to comprehend the beauty and value of a peaceful creative life.

Read more: https://www.azernews.az/culture/224066.html

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The Big Review: Joan Jonas at the Museum of Modern Art, New York ★★★★★

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Source: The Art Newspaper

When was the last time you witnessed the birth of a sperm whale? Were personally greeted by the artist at the entrance to her exhibition in a major museum? And became so engrossed in the videos, sculptures, photographs and even the plinths in said show that you turned right around at the end to take it all in again?

Joan Jonas: Good Night Good Morning, the trailblazing octogenarian’s animating career retrospective at New York’s Museum of Modern Art (MoMA), is primal exhibition-making. From start to finish it tempers an exhilarating sense of childlike wonderment at the world with the knowledge of its imperilled existence. It gives the most ephemeral and market-defying form of art—performance—a solid body. And it is beautiful—with, as Jonas puts it, an edge.

Never have I seen so high a degree of elegance and visual intelligence in this museum’s top-floor galleries. Gone are most of the dull, white walls that typically neuter much of the art hanging on them. Now, existing walls and domestically scaled room dividers are painted a cushiony black or grey, while rows of deadening lights formerly attached to ceilings too high to provide useful illumination have been sent to storage. Instead, we get a legibility essential to understanding how the many components of Jonas’s layered art cohere in live performance— and in the mind.

Read more: https://www.theartnewspaper.com/2024/03/22/the-big-review-joan-jonas-at-the-museum-of-modern-art-new-york

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