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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240706T080000
DTEND;TZID=Europe/London:20240929T170000
DTSTAMP:20261023T052136
CREATED:20240710T064632Z
LAST-MODIFIED:20240710T064632Z
UID:99352-1720252800-1727629200@artshousemagazine.co.uk
SUMMARY:Joy Labinjo: Southwark Park Galleries’ 40th Anniversary Exhibition
DESCRIPTION:For Southwark Park Galleries’ 40th anniversary programme\, British-Nigerian painter Joy Labinjo will present a new body of work that celebrates our local community in her largest London institutional exhibition to date. Taking scenes from Southwark Park and the Bermondsey area as a starting point\, the works will flow and develop from Labinjo’s visits to the park and how she saw people spending time there. \nSourced from a combination of taken and found imagery\, the paintings rely on the sense of the familiar and the hope that a wide range of people will see themselves in the works\, feeling welcome to spend time with them. Labinjo often depicts intimate moments\, both real and imagined\, and often based on figures appearing in family photographs\, found images and historical or archival material. \nIn the past\, she has explored themes such as identity\, political voice\, power\, Blackness\, race\, history\, community and family and their role in contemporary experience. Her distinctive painting style presents fresh and arresting compositions of colour\, pattern and motifs. Fundamentally at the heart of Labinjo’s practice is a bold interest in storytelling and\, ultimately\, people’s lives. Commissioned by Southwark Park Galleries\, London\, and generously supported by Arts Council England\, Tiwani Contemporary\, London\, and OMNI.
URL:https://artshousemagazine.co.uk/event/joy-labinjo-southwark-park-galleries-40th-anniversary-exhibition/
LOCATION:Southwark Park Galleries\, Lake Gallery 1 Park Approach Southwark Park London\, SE16 2UA\, London\, United Kingdom
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240705T080000
DTEND;TZID=Europe/London:20240915T170000
DTSTAMP:20261023T052136
CREATED:20240704T065807Z
LAST-MODIFIED:20240704T065807Z
UID:99223-1720166400-1726419600@artshousemagazine.co.uk
SUMMARY:Lonnie Holley
DESCRIPTION:Camden Art Centre is delighted to present a major institutional solo show by American artist and musician\, Lonnie Holley (b.1950\, Birmingham\, Alabama). \nThe exhibition will centre new works made during a production residency in the UK earlier this year\, alongside previously unseen sculptures made at The Mahler and LeWitt Studios in Spoleto\, Italy in 2023. A celebrated musician\, Holley will perform a live concert at Camden Art Centre on 5 July. \nActive across more than four decades\, Holley is recognised as an important figure in the Black Art tradition from the southern states of America\, as well as a significant artist in the mainstream of international twentieth century and contemporary art. He has a visionary capacity to intuit and reveal to others the significance\, symbolism and meaning of the overlooked and discarded. He learned how to make art as a child in the ‘creeks and ditches’ around his home in Alabama where he would dig for worms and find buried objects. As if connected to the regenerative cycles of decomposing organic matter in the soil\, and in an act of recuperation\, he introduces a redemptive aspect to rejected objects\, giving them dignity and new life.
URL:https://artshousemagazine.co.uk/event/lonnie-holley/
LOCATION:Camden Art Centre\, Arkwright Road London NW3 6DG\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/07/66140fc356751-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240704T180000
DTEND;TZID=Europe/London:20240718T210000
DTSTAMP:20261023T052136
CREATED:20240704T070035Z
LAST-MODIFIED:20240704T070035Z
UID:99227-1720116000-1721336400@artshousemagazine.co.uk
SUMMARY:Contemporary Art Studio & INxSANIxTY Studio Presents: "Great News"
DESCRIPTION:Prepare to embark on an artistic journey that delves into the dynamic world of Journalism and Newspapers\, using these mediums as springboards for profound conversations about the Human Experience and the current state of our world. \nExhibition Highlights: \nPaintings: Dive into a collection of visually arresting pieces that merge art with the powerful narratives of journalism. \nSculptures: Encounter intricate sculptures that give tangible form to the concepts of identity and information. \nVideo Art: Experience captivating visual stories that critique and dissect modern media’s influence on society. \nInstallations: Immerse yourself in installations that invite deep reflection on the world we live in.
URL:https://artshousemagazine.co.uk/event/contemporary-art-studio-inxsanixty-studio-presents-great-news/
LOCATION:Contemporary Art Studio\, Fleet Street Studios 8-12 New Bridge Street London EC4V 6AL\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240628T080000
DTEND;TZID=Europe/London:20240807T170000
DTSTAMP:20261023T052136
CREATED:20240625T071007Z
LAST-MODIFIED:20240625T071007Z
UID:99070-1719561600-1723050000@artshousemagazine.co.uk
SUMMARY:James Fisher / Phil Goss: AFTER-IMAGE
DESCRIPTION:“Understand a painting as a sum of chords and once and for all break away from any naturalist idea.” \n~ Edouard Vuillard \nJames Fisher was born in the UK in 1972. He attained a BA at the University of Brighton (1992 – 1995) and an MA at the Royal College of Art (1995 – 1997) and was a recipient of an Abbey Scholarship in Painting at the British School at Rome in 2001. He was awarded a PHD in Fine Art at the University of Gloucestershire in 2009 following a series of exhibitions that explored relationships between painting\, music and text. \nFisher has had nine solo exhibitions including Uchiwa-e Eagle Gallery\, London (2011); My Hopes are not Entirely Hopeless Aldeburgh Music\, Suffolk (2009); I came here a stranger Eagle Gallery\, London (2008); As a stranger I depart Campden Gallery\, Chipping Campden (2008) and The Wanderer Rochester City Art Gallery (2005). He has exhibited in Italy\, Ireland and the UK and has been an invited artist in exhibitions including BITE\, Mall Galleries (2011); ING Discerning Eye\, Mall Galleries and the Royal Academy Summer Exhibition (both in 2010). He has collaborated with sculptor Denise de Cordova on Camouflage – an installation of sculpture and paintings for the London Art Fair 2015.
URL:https://artshousemagazine.co.uk/event/james-fisher-phil-goss-after-image/
LOCATION:Vivienne Roberts Projects\, The Bindery\, 53 Hatton Garden London EC1N 8HN\, London\, United Kingdom
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240626T080000
DTEND;TZID=Europe/London:20240901T170000
DTSTAMP:20261023T052136
CREATED:20240625T070722Z
LAST-MODIFIED:20240625T070722Z
UID:99065-1719388800-1725210000@artshousemagazine.co.uk
SUMMARY:Francis Alÿs: Ricochets
DESCRIPTION:A major new exhibition by renowned Mexico-based artist Francis Alÿs – his first and largest institutional solo exhibition in the UK for over a decade. \nCelebrating the breadth and importance of his work\, this exhibition stages the UK premiere of his critically acclaimed series Children’s Games (1999-present)\, newly expanded following the Belgian Pavilion at the 2022 Venice Biennale. The exhibition also features a site-specific project in the gallery for the surrounding community and beyond\, offering new perspectives on his prolific career.
URL:https://artshousemagazine.co.uk/event/francis-alys-ricochets/
LOCATION:Barbican Art Gallery\, Barbican Centre London EC2Y 8DS\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240618T080000
DTEND;TZID=Europe/London:20240618T170000
DTSTAMP:20261023T052136
CREATED:20231004T181832Z
LAST-MODIFIED:20231004T181832Z
UID:93450-1718697600-1718730000@artshousemagazine.co.uk
SUMMARY:Installation view of the Summer Exhibition 2022 at the Royal Academy of Arts\, London\, 21 June – 21 August 2022 Exhibition Summer Exhibition 2024
DESCRIPTION:The world’s largest open submission exhibition will return in 2024. Join us for our annual celebration of art in all forms. \n\n\n\n\nHeld every year without interruption since 1769\, the Summer Exhibition showcases a diverse array of contemporary works\, including prints\, paintings\, films\, photography\, sculpture\, and architectural works. \nAnyone can submit their work\, regardless of background or artistic experience. The mix of art by household names\, Royal Academicians and emerging talent is what makes the Summer Exhibition the UK’s best-loved art show. \nMany works will be available to buy and sales will directly support the exhibiting artists and the RA’s charitable work\, including training the next generation of artists at the Royal Academy Schools. \nAs part of the celebration of creativity\, we will also be hosting a range of special events including talks\, workshops and tours.
URL:https://artshousemagazine.co.uk/event/installation-view-of-the-summer-exhibition-2022-at-the-royal-academy-of-arts-london-21-june-21-august-2022-exhibition-summer-exhibition-2024/
LOCATION:Burlington House\, Burlington House Piccadilly\, London W1J 0BD\, London\, United Kingdom
CATEGORIES:Art Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240613T080000
DTEND;TZID=Europe/London:20240908T170000
DTSTAMP:20261023T052136
CREATED:20240607T071329Z
LAST-MODIFIED:20240607T071329Z
UID:98831-1718265600-1725814800@artshousemagazine.co.uk
SUMMARY:Rahima Gambo: Alternative Central Area Locations
DESCRIPTION:Alternative Central Area Locations brings together new and evolving works by Rahima Gambo that examine her diasporic relationship to Abuja\, Nigeria. Using archival records and blueprints as source material\, the exhibition is envisaged as a form of cartography\, drifting from the past into a present and possible future. \nGambo moved to Abuja as an infant just as the city’s identity was forming. A so-called “planned city”\, Abuja was constructed throughout the 1980s after the Nigerian government sought to build a new capital city that would replace Lagos. A conglomerate of five American firms (collectively known as the International Planning Associates) determined that Abuja would be built on the Gwagwa plains\, over 8\,000 km away\, due to the site’s central location and ethnic neutrality.
URL:https://artshousemagazine.co.uk/event/rahima-gambo-alternative-central-area-locations/
LOCATION:Gasworks\, 155 Vauxhall Street London SE11 5RH\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240613T080000
DTEND;TZID=Europe/London:20240616T170000
DTSTAMP:20261023T052136
CREATED:20230827T174142Z
LAST-MODIFIED:20230827T174533Z
UID:92598-1718265600-1718557200@artshousemagazine.co.uk
SUMMARY:Art Basel 2024
DESCRIPTION:Art Basel is a for-profit\, privately owned and managed\, international art fair staged annually in Basel\, Switzerland; Miami Beach; Hong Kong and from 2022\, Paris. Art Basel works in collaboration with the host city’s local institutions to help grow and develop art programs
URL:https://artshousemagazine.co.uk/event/art-basel-2024/
CATEGORIES:Art Fairs
ATTACH;FMTTYPE=image/jpeg:https://artshousemagazine.co.uk/wp-content/uploads/2023/08/Art-Basel.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240612T080000
DTEND;TZID=Europe/London:20240901T170000
DTSTAMP:20261023T052136
CREATED:20240611T070341Z
LAST-MODIFIED:20240611T070341Z
UID:98891-1718179200-1725210000@artshousemagazine.co.uk
SUMMARY:Gavin Jantjes: To Be Free! A Retrospective 1970 – 2023
DESCRIPTION:This timely retrospective of Oxfordshire-based South African painter and printmaker Gavin Jantjes (b. 1948\, South Africa) is his largest solo presentation in the UK to date. It brings together more than five decades of the artist’s diverse and distinctive practice. \nThrough over 100 prints\, drawings\, and paintings\, as well as archival material\, the exhibition celebrates Jantjes as a significant and critical agent of change while tracing his development as a painter\, printmaker\, writer\, curator and activist. \nStructured into chapters spanning 1970 to the present\, To Be Free! focuses on pivotal phases in Jantjes’s life\, from his formative years in Cape Town during the early years of South African apartheid (1948–1994)\, his transformative role at art institutions in the UK\, Germany and Norway\, his compelling figurative portrayals of the global Black struggle for freedom\, to his recent transition to non-figurative painting. Jantjes’ journey embodies a quest for artistic emancipation\, marked by a search for an autonomous form\, freed from Eurocentric traditions and expectations of Black creativity.
URL:https://artshousemagazine.co.uk/event/gavin-jantjes-to-be-free-a-retrospective-1970-2023/
LOCATION:Whitechapel Gallery\, 77-82 Whitechapel High Street London E1 7QX\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240611T080000
DTEND;TZID=Europe/London:20240908T170000
DTSTAMP:20261023T052136
CREATED:20240611T070131Z
LAST-MODIFIED:20240611T070131Z
UID:98886-1718092800-1725814800@artshousemagazine.co.uk
SUMMARY:Rheim Alkadhi: Templates for Liberation
DESCRIPTION:Templates for Liberation is the UK’s first exhibition of artist Rheim Alkadhi. Addressing ongoing consequences of war and colonialism in present-day Iraq and the region at large\, this exhibition presents sculptures\, archival documentation\, and emancipatory counter-histories. The ICA’s main gallery will feature a series of sculptures fabricated from the heavy-duty transport tarpaulins of cross-border industrial vehicles. These sculptures bear the traces of their transnational passage; the material itself embodies the environmental and sociopolitical violence consuming the region. The adjacent reading room offers archival and speculative reference points for thinking about Iraq’s colonial borders\, resource extraction\, and the ensuing practices of biometric categorisation that would exploit ethnic differences for decades to come. Alkadhi conceives of this exhibition as a material template for a set of liberatory encounters: to re-imagine global space—and our agency in our short-term inhabiting of it—proposing ways of refusing the violence and injustice that characterise our times. \nSculptures made from tarpaulin lie directly on the floor\, unfurl in piles\, line the walls and drape from the ceiling. Alkadhi has a long engagement with this material\, typically polyester fabric bonded with polyvinyl chloride (PVC)\, which speaks to the artist’s interests: its fossil-fuel origins and traversals across borders attest to a specific ecological and political reality; and the raw tarp material has an agency of its own. Iraq\, where the artist lived as a child\, is the world’s fifth largest oil and petroleum producer\, and the industry has had devastating environmental effects. The tarps in the exhibition have been salvaged from transport lorries\, those that ubiquitously cross state and national borders with an ease denied to migrants criminalised at the same crossings. Additionally\, the material is physically recalcitrant\, it can be formed\, but only to a degree. The work we encounter in the gallery is of an exchange between the artist\, the material\, and the life the material has lived.
URL:https://artshousemagazine.co.uk/event/rheim-alkadhi-templates-for-liberation/
LOCATION:ICA\, The Mall London SW1Y 5AH\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/06/1696912859987_reseller_online-fine-art-market_Respondents_Share_of_Growing_Source_of_Artwo_original-6.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240608T173000
DTEND;TZID=Europe/London:20240802T193000
DTSTAMP:20261023T052136
CREATED:20240607T071017Z
LAST-MODIFIED:20240607T071017Z
UID:98826-1717867800-1722627000@artshousemagazine.co.uk
SUMMARY:Ajamu X: A Sensual Chorus of Gestures
DESCRIPTION:Calling attention to both the physicality of the photograph and the material process of image-making in the darkroom\, Ajamu X celebrates the beauty and joy of the erotic. In this new group of works\, shot in his London studio\, Ajamu X captures distinct gestures during intimate moments. The bodies depicted are rendered statuesque and seductive\, enshrined in platinum print\, one of the most precious forms of photography. \nThese images are printed on Tosa Washi Japanese-made paper\, a precise and delicate choice that reflects the sensual material\, form and aesthetics of analogue photography. The tangible aspects of those normally hidden processes which transpire in the wet-based darkroom are amplified in a fine art photographic practice that contrasts with our networked digital culture.
URL:https://artshousemagazine.co.uk/event/ajamu-x-a-sensual-chorus-of-gestures/
LOCATION:Amanda Wilkinson\, 1st Floor\, 47 Farringdon Road London EC1M 3JB\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240608T080000
DTEND;TZID=Europe/London:20240802T170000
DTSTAMP:20261023T052136
CREATED:20240729T065319Z
LAST-MODIFIED:20240729T065319Z
UID:99678-1717833600-1722618000@artshousemagazine.co.uk
SUMMARY:Ajamu X: A Sensual Chorus of Gestures
DESCRIPTION:Calling attention to both the physicality of the photograph and the material process of image-making in the darkroom\, Ajamu X celebrates the beauty and joy of the erotic. In this new group of works\, shot in his London studio\, Ajamu X captures distinct gestures during intimate moments. The bodies depicted are rendered statuesque and seductive\, enshrined in platinum print\, one of the most precious forms of photography. \nThese images are printed on Tosa Washi Japanese-made paper\, a precise and delicate choice that reflects the sensual material\, form and aesthetics of analogue photography. The tangible aspects of those normally hidden processes which transpire in the wet-based darkroom are amplified in a fine art photographic practice that contrasts with our networked digital culture. \nThe work of black and LGBTQ+ photographers’ is often appraised largely on the basis of its subject matter and sociopolitical context. Questions of representation are privileged above those of production\, even though the two are inextricably linked. The particularities of the image-making process are frequently overlooked. This body of work addresses this shortcoming by placing marks\, gestures and ‘mistakes’ at the centre of the work; foregrounding the sensual/material aspects of the physical creation of images whose subject-matter is similarly focused on sensuality. \nThe exhibition will be accompanied by a publication featuring a text by maddison moore\, an artist-scholar\, DJ and Assistant Professor of Modern Culture and Media at Brown University\, Providence USA.
URL:https://artshousemagazine.co.uk/event/ajamu-x-a-sensual-chorus-of-gestures-2/
LOCATION:Amanda Wilkinson\, 1st Floor\, 47 Farringdon Road London EC1M 3JB\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/07/66140fc356751-18.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240607T180000
DTEND;TZID=Europe/London:20240803T200000
DTSTAMP:20261023T052136
CREATED:20240605T070701Z
LAST-MODIFIED:20240605T070701Z
UID:98772-1717783200-1722715200@artshousemagazine.co.uk
SUMMARY:Labyrinth
DESCRIPTION:Elizabeth Xi Bauer is delighted to present Karoliina Hellberg’s first UK solo exhibition. The Gallery will exhibit new works by the artist and a wallpaper print designed and executed by Hellberg for this upcoming solo show. \nKaroliina Hellberg lives and works in Helsinki and is known for her large\, vibrant oil\, acrylic\, and ink canvases. Her work immerses the viewer in a world of repeated imagery\, signs\, and symbols\, a labyrinth of spaces and places\, combining layers\, forms\, and elements. The artist blends dream-like visions and narratives that merge the everyday with the ethereal. This is explored with pictorial tropes such as indoor scenes\, plants\, flowers\, clouds\, animals\, and textiles\, which are remembered\, imagined\, or inspired by researched source material.
URL:https://artshousemagazine.co.uk/event/labyrinth/
LOCATION:Elizabeth Xi Bauer\, Elizabeth Xi Bauer Gallery London SE8 3DX\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/06/661e645cd2d89.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240607T180000
DTEND;TZID=Europe/London:20240727T193000
DTSTAMP:20261023T052136
CREATED:20240605T070437Z
LAST-MODIFIED:20240605T070437Z
UID:98768-1717783200-1722108600@artshousemagazine.co.uk
SUMMARY:Paul Winstanley: Reprise
DESCRIPTION:For his solo show at Cristea Roberts Gallery\, Winstanley presents new hand-coloured prints and paintings. Through the process of printing the works are gradually divorced from their subject matter\, leaving the viewer to imbue the compositions with their own interpretation. Interested by the aesthetics of the sublime\, Winstanley explores how pictures can mythologise reality.
URL:https://artshousemagazine.co.uk/event/paul-winstanley-reprise/
LOCATION:Cristea Roberts Gallery\, 43 Pall Mall London SW1Y 5JG\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240606T080000
DTEND;TZID=Europe/London:20240713T170000
DTSTAMP:20261023T052136
CREATED:20240604T070929Z
LAST-MODIFIED:20240604T070929Z
UID:98735-1717660800-1720890000@artshousemagazine.co.uk
SUMMARY:Sean Landers: Animal Portraits
DESCRIPTION:Timothy Taylor is pleased to present Animal Portraits\, an exhibition of new paintings by Sean Landers. The artist’s debut presentation with the gallery since the announcement of his representation in 2023 will feature eight canvases from a new series of animal portraits. These works reflect his evolving relationship to the many dimensions of making art. \nIn his recent paintings\, Landers surrounds wild animals\, many of them native to the UK\, with texts revealing the artist’s sense of existential awareness. Rendered with sharp\, careful detail\, his creatures-a grey wolf\, a red fox\, a cougar-gaze back at the viewer or look knowingly beyond them. Each animal stands within an idyllic landscape punctuated by vernacular signposts or aspen trees bearing telling inscriptions. In Its Own Reward (Great Horned Owl) (all paintings 2024)\, an exquisite horned owl perches on the branch of a tree where a series of texts has been carved. “We exist so briefly…the privilege of life is its own reward.” For Landers\, this painting reflects his state of mind in the current moment; reflecting on the dynamics of his more than thirty-year career\, he finds deep pleasure in the process of painting with virtuosity and without posturing.
URL:https://artshousemagazine.co.uk/event/sean-landers-animal-portraits/
LOCATION:Timothy Taylor\, 15 Bolton Street London W1J 8BG\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240605T080000
DTEND;TZID=Europe/London:20240720T170000
DTSTAMP:20261023T052136
CREATED:20240604T071209Z
LAST-MODIFIED:20240604T071209Z
UID:98740-1717574400-1721494800@artshousemagazine.co.uk
SUMMARY:Sofia Mitsola Villa Venus: The Garden
DESCRIPTION:Pilar Corrias presents Villa Venus: The Garden\, an exhibition of new paintings\, sculpture and animation by Sofia Mitsola – the latest chapter in the artist’s ongoing series depicting a utopian\, Cycladic island ruled by her female characters. \nUsing a saturated palette\, Mitsola layers washes of vivid\, unadulterated colour with large\, immediate brushstrokes and thick impasto. In various states of repose\, her protagonists inhabit palatial spaces with self-possession and ease\, in turn demanding that the viewer reckon with their own gaze. Do these figures pose for our gratification or their own? Are their brazen stares invitations or predatory?
URL:https://artshousemagazine.co.uk/event/sofia-mitsola-villa-venus-the-garden/
LOCATION:Pilar Corrias\, Savile Row\, 2 Savile Row London W1S 3PA\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/06/1696912859987_reseller_online-fine-art-market_Respondents_Share_of_Growing_Source_of_Artwo_original-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240605T080000
DTEND;TZID=Europe/London:20240706T170000
DTSTAMP:20261023T052136
CREATED:20240604T070609Z
LAST-MODIFIED:20240604T070609Z
UID:98731-1717574400-1720285200@artshousemagazine.co.uk
SUMMARY:Here & Now
DESCRIPTION:JD Malat Gallery’s forthcoming group exhibition\, Here & Now\, will bring together both represented artists and new artistic voices from outside of the gallery’s roster. Presenting a convergence of diverse practices and creative visions\, Here & Now seeks to demonstrate the multifaceted approaches of contemporary artists working today\, capturing a vivid picture of identity\, the human experience\, and the raw vulnerabilities of modern life. \nHere & Now strives to amplify the socially engaged nature of diverse artistic practices by bringing together recent work by previously exhibited artist Marcel Rusu and gallery artists Emily Gillbanks\, Sophie-Yen Bretez\, Georg Oskar\, Celine Ali\, Ayanfe Olarinde\, Yann Leto\, Ur Kasin\, Ed Moses\, Andy Moses\, Santiago Parra\, Luis Olaso\, and Conrad Jon Godly. The exhibition will also present works for the first time by artists Horacio Quiroz\, Hattie Malcomson\, Mehmet Cevik and Mark Jenkins.
URL:https://artshousemagazine.co.uk/event/here-now/
LOCATION:JD Malat Gallery\, 30 Davies St London W1K 4NB\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/06/6580144ddfc53.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240531T180000
DTEND;TZID=Europe/London:20240706T200000
DTSTAMP:20261023T052136
CREATED:20240531T071332Z
LAST-MODIFIED:20240531T071332Z
UID:98678-1717178400-1720296000@artshousemagazine.co.uk
SUMMARY:Yi To: To be dispersed\, not to disappear
DESCRIPTION:The metaphor of excavation plots the line of enlightenment. Ours has been a constant search for the grammar of life: methods by which we can extract sense from non-sense\, decipher meaning from chaos\, find vocabulary for the wisps we once resorted to calling ‘ghosts’. In its making visible the invisible\, the act of excavation seeks to rescue the intelligible from the darkness of ignorance by reconstituting\, piecemeal\, fossilised memory. So begins the philosophical conundrum in which Hong Kong born artist Yi To prefigures the materiality of fragmented body\, and its reappearance in the virtual as sign. \nWhat happens with the immense onslaught of time\, its unerring passage? A document\, artefact or vestige of life that endures erasure appeals to the unconscious vis a vis aesthetic sensibility before anything else. Like To’s work\, that which issues from bygone eras hovers someplace between figuration and abstraction\, and occasions a reading that relies\, firstly\, on intuition. From the presence of the golden spiral in the human ear\, to the ability of an amoeboid organism to solve a maze\, to the sophistication of the self-assembling flagellum\, the wonderment in intuition is perhaps its intimation of intelligent design.
URL:https://artshousemagazine.co.uk/event/yi-to-to-be-dispersed-not-to-disappear/
LOCATION:Alice Amati\, 27 Warren Street London W1T 5NB\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/05/1696912859987_reseller_online-fine-art-market_Respondents_Share_of_Growing_Source_of_Artwo_original-42.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240530T180000
DTEND;TZID=Europe/London:20240712T200000
DTSTAMP:20261023T052136
CREATED:20240528T065410Z
LAST-MODIFIED:20240528T065410Z
UID:98595-1717092000-1720814400@artshousemagazine.co.uk
SUMMARY:Lucía Pizzani
DESCRIPTION:Cecilia Brunson Projects is pleased to present the gallery’s third solo exhibition by Lucía Pizzani (b. 1975\, Caracas). Pizzani’s research-based practice\, informed by her studies in conservation biology and her involvement in Venezuela’s environmental movement\, is concerned with the intertwining narratives of natural and human histories. In this immersive exhibition\, Pizzani presents newly commissioned and site-specific works which hold in their material makeup interspecies stories of migration: of plants and their products\, cultural practices\, and the artist’s own migration from Venezuela to London. \nPizzani presents new ceramic works\, including her freestanding sculptural Flora Totems made at Rochester Square\, London. Sites of cultural convergence\, they are made from English clay and white slip\, and imprinted with plants such as corn and eucalyptus\, as Pizzani invokes the histories of flora both native and imported to South America. These anthropomorphic\, guardian-like sculptures watching over the gallery space reflect Pizzani’s tendency to identify spirit-like imagery within natural forms\, exploring concepts of interconnectivity across plant and animal worlds.
URL:https://artshousemagazine.co.uk/event/lucia-pizzani/
LOCATION:Cecilia Brunson Projects\, 3G Royal Oak Yard (end of yard) London SE1 3GE\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/05/661e645cd2d89.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240529T180000
DTEND;TZID=Europe/London:20240713T200000
DTSTAMP:20261023T052136
CREATED:20240528T065113Z
LAST-MODIFIED:20240528T065113Z
UID:98590-1717005600-1720900800@artshousemagazine.co.uk
SUMMARY:Weer Loo - The Cry Of The Curlew
DESCRIPTION:JGM Gallery presents Weer Loo – The Cry Of The Curlew\, an exhibition of watercolour and acrylic paintings by Hubert Tjapaltjarri Pareroultja\, a proud Arrernte man living and working on Country in his traditional homelands of Ntaria\, South Central Australia. \nPareroultja is the inheritor of one of Australia’s most significant – and certainly longest lasting – artistic movements. His work represents a continuation of what is known as the Hermannsburg School\, a style pioneered by Rex Battarbee and Pareroultja’s uncle\, the great Albert Namatjira. Although\, of course\, each exponent of this style has their own visual lexicon\, what unites almost all their work is a hybridity of the one point perspective of European landscape painting\, and the earthbound philosophy of the Arrernte. The resulting aesthetic is luminous and almost hallucinatory in its effect. Shadows are often painted as variations in colour rather than tone\, adding to the descriptiveness of the pictures\, revealing as it does aspects of the land that would otherwise remain obscure. There is consequently a heightened sense of one’s surroundings\, as though Pareroultja’s brush elucidates more from the land than the naked eye.
URL:https://artshousemagazine.co.uk/event/weer-loo-the-cry-of-the-curlew/
LOCATION:JGM Gallery\, 24 Howie Street London SW11 4AY\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240524T180000
DTEND;TZID=Europe/London:20240626T200000
DTSTAMP:20261023T052136
CREATED:20240522T070819Z
LAST-MODIFIED:20240522T070819Z
UID:98490-1716573600-1719432000@artshousemagazine.co.uk
SUMMARY:Yoan Capote: See Escapes
DESCRIPTION:SEE ESCAPES\, curated by Joachim Pissarro\, is deeply rooted in the context of Cuban artist Yoan Capote’s upbringing in Cuba\, an island marked by profound historical and geographical circumstances. \nExploring a spectrum of themes through an emotional lens\, SEE ESCAPES presents a progression in Capote’s practice\, presenting his most recent series Purificación\, Aguas Territoriales\, Sentimientos Encontrados\, and Family Portraits to a London audience for the first time\, alongside works from the artist’s celebrated Isla and Palangre series. Intricately intertwined with the traumatic socio-political landscape of the artist’s upbringing in Cuba\, SEE ESCAPES expands Capote’s iconic seascapes towards a wider\, global spectrum of reflection\, as the artist explores themes of migration and borders\, life and death\, hope and tragedy\, and the interplay between control and freedom of expression. Capote finds solace in the process of art making\, using it as a means to transcend his reality\, all while prompting profound contemplation on the human experience and societal dynamics within his work.
URL:https://artshousemagazine.co.uk/event/yoan-capote-see-escapes/
LOCATION:Ben Brown Fine Arts\, 12 Brook's Mews London W1K 4DG\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240524T180000
DTEND;TZID=Europe/London:20240622T200000
DTSTAMP:20261023T052136
CREATED:20240522T071027Z
LAST-MODIFIED:20240522T071027Z
UID:98494-1716573600-1719086400@artshousemagazine.co.uk
SUMMARY:Carole Gibbons
DESCRIPTION:
URL:https://artshousemagazine.co.uk/event/carole-gibbons/
LOCATION:Hales\, The Tea Building London E1 6LA\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240523T080000
DTEND;TZID=Europe/London:20240621T170000
DTSTAMP:20261023T052136
CREATED:20240520T070538Z
LAST-MODIFIED:20240520T070538Z
UID:98434-1716451200-1718989200@artshousemagazine.co.uk
SUMMARY:Donald Teskey: Currents
DESCRIPTION:The south facing Atlantic and its meeting point with the Indian Ocean on the southernmost tip of Africa at Cape Agulhas had a real impact on Teskey. Looking south there is nothing between the Cape and Antarctica other than 3\,800 miles of pure sea.  The Cape of Good Hope\, False Bay\, Cape Point\, Kalk Bay\, Pringle Bay; these new subjects are luminous\, assured studies of places and natural forces by a painter who relishes raw first-hand experience of a landscape. His distinction as a painter of the sea is to get his brush to reveal an energy\, and the magical agility of water crashing onto jagged rocks or under clear blue skies at Cape Agulhas\, to lap the shore continuously until a gust of wind changes the pace. The different quality of light is a distinguishing factor\, yet there is also trickery\, for when he explored Hermanus the morning mist and soft mountains folding into the sea had an Irish rather than a southern African feeling to it. The sea does this to sea lovers the world over – we carry ‘our’ sea within us so that it informs our universal experience of other seas\, other climates. \nCloser to home and his Dublin studio is the River Dodder\, with currents of a very different kind from those hosted by the great Atlantic Ocean.  This group of riverbank paintings is redolent of leafy summer growth and the gentle ebb and flow of water levels nudged by the river’s currents. The sections he explores are ordered around three horizontal layers either seen at a distance as in the grand Riverbank IV\, or by zooming in close for the Water Level series.
URL:https://artshousemagazine.co.uk/event/donald-teskey-currents/
LOCATION:Art First\, 15 St Mary's Walk London SE11 4UA\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240522T080000
DTEND;TZID=Europe/London:20240901T170000
DTSTAMP:20261023T052136
CREATED:20240520T070304Z
LAST-MODIFIED:20240520T070304Z
UID:98429-1716364800-1725210000@artshousemagazine.co.uk
SUMMARY:Judy Chicago: Revelations
DESCRIPTION:In Summer 2024\, Serpentine will present an exhibition of trailblazing artist\, author\, educator and feminist icon Judy Chicago (b. 1939\, Chicago\, USA; lives and works in New Mexico\, USA). Revelations will be Chicago’s first solo presentation in a major London institution. One of the most provocative and influential artists working today\, Chicago came to prominence in the late 1960s when she challenged the male-dominated landscape of the art world by making work that was boldly from a woman’s perspective.
URL:https://artshousemagazine.co.uk/event/judy-chicago-revelations/
LOCATION:Serpentine\, Kensington Gardens London W2 3XA (Serpentine South)\, W2 2AR (Serpentine North)\, London\, United Kingdom
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240521T233000
DTEND;TZID=Europe/London:20240602T123000
DTSTAMP:20261023T052136
CREATED:20240520T064708Z
LAST-MODIFIED:20240520T064708Z
UID:98424-1716334200-1717331400@artshousemagazine.co.uk
SUMMARY:Nagihan Seymour: Peace of Mind
DESCRIPTION:Peace of Mind is an art exhibition\, where tranquillity meets artistry. Delve into the symmetrical marvels of traditional arts\, adorned with radiant gold and vibrant hues. Each work is a testament to inner peace\, aiming to find solace in the intricacy of patterns and the harmony of design. \nNagihan Seymour’s artwork is a contemporary response to traditional artistic practices and conveys her lifelong preoccupation with art\, design\, science and mathematics. Seymour combines her interests in modern materials and designs with centuries old ideas connected to symmetry\, pattern design and Turkish arts. \nAll work is for sale with all purchases supporting the artist\, and The Lightbox’s Education and Exhibitions programme. \nMeet the Artist: Nagihan Seymour will be in the gallery to meet you and answer any questions on Saturday 1 June\, from 11am.
URL:https://artshousemagazine.co.uk/event/nagihan-seymour-peace-of-mind/
LOCATION:The Lightbox Gallery\, Chobham Road Woking\, Surrey GU21 4AA\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240517T180000
DTEND;TZID=Europe/London:20240629T200000
DTSTAMP:20261023T052136
CREATED:20240515T065903Z
LAST-MODIFIED:20240515T065903Z
UID:98339-1715968800-1719691200@artshousemagazine.co.uk
SUMMARY:Dayanita Singh
DESCRIPTION:Frith Street Gallery is delighted to announce an exhibition of new work by Dayanita Singh. \nOver the last 40 years Singh has created pioneering works that cross genres\, explore the boundaries of photography and expand our perception of the photographic image. She liberates the medium from its traditional places\, creating interconnected bodies of work replete with both poetic and narrative possibilities. To create these\, Singh draws on her extensive and ongoing pictorial archive that is constantly in motion and continuously refined. This show explores in part the intersection of photography and architecture\, it includes a major series of wall-based pieces as well as a structural installation. \nThe exhibition opens with a pair of large photographs of flowers. These evocative monochrome works have a decidedly sensuous presence. The delicate\, semi-translucent petals of one seem to create an effect akin to a photographic negative\, whilst the other appears to be in a somewhat disheveled state\, likened by Singh to someone who has just tumbled out of bed.
URL:https://artshousemagazine.co.uk/event/dayanita-singh/
LOCATION:Frith Street Gallery\, 17-18 Golden Square London W1F 9JJ\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240516T180000
DTEND;TZID=Europe/London:20240629T203000
DTSTAMP:20261023T052136
CREATED:20240515T064544Z
LAST-MODIFIED:20240515T064544Z
UID:98334-1715882400-1719693000@artshousemagazine.co.uk
SUMMARY:SHARON HALL: Meeting Points
DESCRIPTION:Paintings from the studio and from the recent Shelagh Cluett Residency\, Varanasi. Show publication includes writing by Stuart Bradshaw and Sacha Craddock.
URL:https://artshousemagazine.co.uk/event/sharon-hall-meeting-points/
LOCATION:Benjamin Rhodes Arts\, 62 Old Nichol St London E2 7HP\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240515T180000
DTEND;TZID=Europe/London:20240615T200000
DTSTAMP:20261023T052136
CREATED:20240515T070154Z
LAST-MODIFIED:20240515T070154Z
UID:98343-1715796000-1718481600@artshousemagazine.co.uk
SUMMARY:Tai Shan Schierenberg
DESCRIPTION:This exhibition marks a profound exploration of Schierenberg’s German and Chinese Malaysian heritage\, offering a series of self-portraits and landscapes that navigate the intricacies of identity and belonging. \nThrough a collection of works that blend real and imagined memories\, “Mixed Emotions” invites viewers into Schierenberg’s reflective world. The exhibition’s lush and dreamlike landscapes and introspective portraits\, depicted in both vibrant and muted hues\, serve as a canvas for the artist’s meditations on heritage\, memory\, and the search for a sense of place. \nKey pieces\, such as ‘One Man\, Two Masters\,’ embody the thematic heart of the show by contrasting the Buddhist temple in the Perak Tong Caves\, where Schierenberg prayed as a child in Malaysia\, with the Chartres Cathedral in France. Schierenberg marries the iconography of Eastern and Western divine architecture to narrate sstories of cultural convergence and personal discovery.
URL:https://artshousemagazine.co.uk/event/tai-shan-schierenberg/
LOCATION:Flowers\, Cork Street\, 21 Cork St London W1S 3LZ\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240510T080000
DTEND;TZID=Europe/London:20240706T170000
DTSTAMP:20261023T052136
CREATED:20240506T094216Z
LAST-MODIFIED:20240506T094216Z
UID:98164-1715328000-1720285200@artshousemagazine.co.uk
SUMMARY:Seeing Ourselves
DESCRIPTION:“My work aims to explore and indulge in the multiplicity of Blackness and the embrace of our non-monolithic experiences.” \nWalters explores themes of identity and representation through fragile and detailed paper cut-outs and collages where she creates multi-layered portraits in which she\, literally and metaphorically\, opens up space. These dimensional portraits provide a portal and empower those who are often excluded and unheard in mainstream Western society. She creates an alternative narrative which reflects the complexity of these women’s stories and experiences. \nThe title ‘Seeing Ourselves’ references the book by Frances Borzello which surveyed centuries of self portraits by white Western women artists. In her series ‘Seeing Ourselves’\, Walters reclaims space to create a new inclusive way of seeing Black women. Her work is a response to this absence of their own reflections in mainstream Western media\, arts and cultural life.
URL:https://artshousemagazine.co.uk/event/seeing-ourselves/
LOCATION:HackelBury Fine Art\, 4 Launceston Pl London W8 5RL\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240508T180000
DTEND;TZID=Europe/London:20240727T200000
DTSTAMP:20261023T052136
CREATED:20240506T093811Z
LAST-MODIFIED:20240506T093811Z
UID:98159-1715191200-1722110400@artshousemagazine.co.uk
SUMMARY:Lynda Benglis: Knots & Videotapes 1972–1976
DESCRIPTION:Presenting two seminal groups of works from the 1970s\, showcasing Benglis’s trailblazing use of new technologies and materials.
URL:https://artshousemagazine.co.uk/event/lynda-benglis-knots-videotapes-1972-1976/
LOCATION:Thomas Dane Gallery\, 3 & 11 Duke Street London SW1Y 6BN\, London\, United Kingdom
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END:VCALENDAR