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X-WR-CALDESC:Events for Arts House Magazine
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240802T080000
DTEND;TZID=Europe/London:20240920T170000
DTSTAMP:20261023T044536
CREATED:20240729T065850Z
LAST-MODIFIED:20240729T065850Z
UID:99682-1722585600-1726851600@artshousemagazine.co.uk
SUMMARY:Landscape\, Reimagined [SAATCHI Gallery]
DESCRIPTION:BEERS London returns to Saatchi Gallery with The Landscape\, Reimagined\, a group exhibition including eight internationally-based emerging and mid-career artists who reinterpret the conventions of landscape painting as radical and contemporary. \nThe landscape is among the most traditional of subject matter. For British audiences\, artists like Turner\, Constable\, and Gainsborough are synonymous with a history of landscape painting. But in recent years\, the painted landscape has been reinvigorated with fresh styles that push the limits of this timeless tradition. \nThe eight artists here are interested in pushing the boundaries of landscape through technique\, interpretation\, or even utilizing representational modes that toy with digital and analog modules. These contemporary landscape painters embrace both crude\, abstract tendencies and forward-thinking new formats. Whether utilizing digital image-mapping techniques (Quiñonez) or a wildly unconventional colour palette (Bader)\, these artists bring a topsy-turvy\, and wholly unexpected approach to landscape painting. From the dreamlike textures of (British\, Australia-based) Ross Taylor or the impasto\, reductive technique of (Canadian\, US-based) Caroline Larsen\, these works resituate the landscape within a contemporary art context.
URL:https://artshousemagazine.co.uk/event/landscape-reimagined-saatchi-gallery/
LOCATION:BEERS London\, 51 Little Britain London EC1A 7BH\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/07/66140fc356751-19.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240731T080000
DTEND;TZID=Europe/London:20240907T170000
DTSTAMP:20261023T044536
CREATED:20240729T064936Z
LAST-MODIFIED:20240729T064936Z
UID:99674-1722412800-1725728400@artshousemagazine.co.uk
SUMMARY:Your Mind is Now an Ocean
DESCRIPTION:Pilar Corrias presents Your Mind is Now an Ocean\, a group exhibition with Koo Jeong A\, Keren Cytter\, Sophie von Hellermann\, Manuel Mathieu\, Mary Ramsden\, Rachel Rose and Julião Sarmento.
URL:https://artshousemagazine.co.uk/event/your-mind-is-now-an-ocean/
LOCATION:Pilar Corrias\, Savile Row\, 2 Savile Row London W1S 3PA\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240720T180000
DTEND;TZID=Europe/London:20240804T210000
DTSTAMP:20261023T044536
CREATED:20240715T065007Z
LAST-MODIFIED:20240715T065007Z
UID:99434-1721498400-1722805200@artshousemagazine.co.uk
SUMMARY:Battle Cat\, Adam Hogarth
DESCRIPTION:Battle Cat is a new collection of drawings and prints that explore post-nuclear legacies\, destructivism\, folklore and storytelling by artist Adam Hogarth. \n“We all desire the future to turn out more happily than I have figured it. In particular we desire our present civilization to advance steadily toward some kind of Utopia. The thought that it may decay and collapse\, and that all its spiritual treasure may be lost irrevocably\, is repugnant to us. Yet this must be faced as at least a possibility.” Olaf Stapledon\, ‘Last and First Men’. \nThere was a disaster! A house of cards teetering on oblivion finally toppled. Under their own top-heavy weight\, political and bureaucratic structural systems of yesteryear finally collapsed. A series of nuclear wars ensued\, followed by a complete ecological and environmental disintegration. Crops collapsed and as nuclear reactors failed one by one\, huge swathes of land\, and oceans became contaminated and uninhabitable. Inevitably\, the excess of nuclear meltdown finally permeated the entire earth. \n“No more Internet. No more social media\, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches\, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken\, plans to meet up later\, pleas\, complaints\, desires\, pictures of babies dressed as bears or peppers for Halloween.” Emily St. John Mandel\, ‘Station Eleven’.
URL:https://artshousemagazine.co.uk/event/battle-cat-adam-hogarth/
LOCATION:Thames-Side Studios Gallery\, Thames-Side Studios Royal Borough of Greenwich\, London SE18 5NR\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240720T080000
DTEND;TZID=Europe/London:20240720T170000
DTSTAMP:20261023T044536
CREATED:20240715T065428Z
LAST-MODIFIED:20240715T065428Z
UID:99438-1721462400-1721494800@artshousemagazine.co.uk
SUMMARY:Nathalie Olah on Beryl Cook
DESCRIPTION:Writer Nathalie Olah leads a talk in response to the art of Beryl Cook. \nSituating Cook in the British mid-century\, Olah explores the artist’s work in relation to the academic interests of that time — namely pop-culture as a relatively new phenomenon\, and the spread of American soft power through its entertainment machine. With reference to writers and theorists including Raymond Williams\, Richard Haggard and Stuart Hall\, Olah offers a re-reading of Cook’s practice. \nThis event forms part of our Saturday Talks series\, in which artists\, curators and writers lead personal responses to Beryl Cook / Tom of Finland. These talks\, readings and performances are an opportunity to explore specific aspects of the exhibition\, from ‘bad taste’ to class tourism\, masculinity and sexuality in the military\, and London’s lost queer spaces.
URL:https://artshousemagazine.co.uk/event/nathalie-olah-on-beryl-cook/
LOCATION:Studio Voltaire\, 1a Nelsons Row London SW4 7JR\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240718T180000
DTEND;TZID=Europe/London:20240831T200000
DTSTAMP:20261023T044536
CREATED:20240715T064629Z
LAST-MODIFIED:20240715T064629Z
UID:99430-1721325600-1725134400@artshousemagazine.co.uk
SUMMARY:Ksenia Dermenzhi: Invisible Paths
DESCRIPTION:There exists an ongoing trope in art wherein the artist\, so impassioned in their pursuit to become one with nature\, describes this process as a literal dissolvement of the self into the earth. In Shakespeare’s The Tempest (1623)\, an elemental spirit sings of a shipwrecked king’s human form blending into the ocean floor\, detailing for audiences how his body parts have scattered into coral and pearls. And this is a tradition that extends both  From German Romanticism to Rousseau’s cryptic paintings that seem to pull the viewer into the mystic landscape; and more contemporarily too: Antony Gormley’s carbuncle encrusted bronze male statues that reveal themselves with the changing tides\, and Doig’s entire body of work seems to relate to desirous surroundings (and\, possibly\, his perpetual status as a physical and psychological outsider)\, or even Vija Celmins explorations where the artist’s hand seems to disappear into the process. \nThis tradition continues with Moldovan artist Ksenia Dermenzhi’s newest body of work\, whose Invisible Paths brings her sophomore solo BEERS London after a sold-out exhibition in 2022 and a recent group show with James Cohan Gallery in New York that placed the young artist in the purview of noted American collectors\, as well as a forthcoming inclusion in an exhibition focusing on contemporary landscape painters at London’s prestigious Saatchi Gallery.
URL:https://artshousemagazine.co.uk/event/ksenia-dermenzhi-invisible-paths/
LOCATION:BEERS London\, 51 Little Britain London EC1A 7BH\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240717T180000
DTEND;TZID=Europe/London:20240831T200000
DTSTAMP:20261023T044536
CREATED:20240715T064339Z
LAST-MODIFIED:20240715T064339Z
UID:99426-1721239200-1725134400@artshousemagazine.co.uk
SUMMARY:Revelation & Concealment
DESCRIPTION:JGM Gallery presents Revelation & Concealment\, an exhibition of paintings and prints by 18 Indigenous Australian artists. The starting points for this exhibition are the dual themes of “revelation and concealment” in Indigenous contemporary art\, a dialectic which curator Stephen Gilchrist identifies in his 2016 analysis of Shorty Lungkarta Tjungurrayi’s Children’s Water Dreaming (1972) (Gilchrist\, 2016). \nThe tension between these polarities is often manifest in the relationship between abstraction and realism. Indeed\, a great strength of Revelation & Concealment’sexhibiting artists is their capacity to reconcile these two approaches\, which they achieve using a variety of formal innovations. \nIn Jennifer Ingkatji’s Seven Sisters Story\, the narrative of its Tjukurpa (“Creation Story”)\, which tells how the Pleiades cluster came into being\, is not articulated sequentially. Instead\, the painting gives an impression of creation through Ingkatji’s auratic sprays of dotwork. Superimposed over a preliminary layer of paint\, these dots dazzle the viewer\, suggesting fields of energy emanating from astral beings\, or the clarity of constellations against an abyssal night sky. However\, this dotwork also slightly obscures the composition below. Thus\, while impacting the viewer in a manner akin to the experience of revelation\, Ingkatji’s dotwork can also be seen to function as a mask\, concealing the forms beneath.
URL:https://artshousemagazine.co.uk/event/revelation-concealment/
LOCATION:JGM Gallery\, 24 Howie Street London SW11 4AY\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240712T080000
DTEND;TZID=Europe/London:20240727T170000
DTSTAMP:20261023T044536
CREATED:20240708T065715Z
LAST-MODIFIED:20240708T065715Z
UID:99296-1720771200-1722099600@artshousemagazine.co.uk
SUMMARY:Tbilisi Independent
DESCRIPTION:‘Tbilisi Independent’ highlights five young\, female-run galleries from the Georgian capital: E.A Shared Space\, Gallery 4710\, The Why Not Gallery\, MAUDI\, and CH64 Gallery. A collaboration with Reach Art Visual\, the exhibition builds its narrative around two central pillars in the history of Georgian abstraction: Alexander Bandzeladze (1927–1992) and Tamuna Sirbiladze (1971–2016)\, including artists such as Lia Bagrationi\, Mariana Chkonia and Sopho Kobidze. \nThe show then brings the story into the present day with outstanding figurative works by contemporary artists Anuk Beluga\, Saba Gorgodze\, Merab Gugunashvili\, Gvantsa Jishkariani\, Giorgi Khaniashvili\, Niniko Morbedadze\, Tamar Nadiradze\, Temple Pharmacy and Nata Varazi. The result is an exhibition that offers a compelling insight into Georgian art and culture\, and the emerging voices in the country amid rising political and social upheaval.
URL:https://artshousemagazine.co.uk/event/tbilisi-independent/
LOCATION:Frieze No. 9 Cork Street\, 9 Cork Street London W1S 3LL\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240710T080000
DTEND;TZID=Europe/London:20241208T170000
DTSTAMP:20261023T044536
CREATED:20240710T064313Z
LAST-MODIFIED:20240710T064313Z
UID:99348-1720598400-1733677200@artshousemagazine.co.uk
SUMMARY:Grayson Perry: The Vanity of Small Differences
DESCRIPTION:Grayson Perry: The Vanity of Small Differences opens at Pitzhanger Manor & Gallery this July–December 2024. \nFor the first time\, this exhibition brings the Turner-Prize-winning artist’s six large-scale tapestries to a building where William Hogarth’s A Rake’s Progress\, the inspiration behind Perry’s tapestries\, were purchased for and displayed. \nSir Grayson Perry CBE RA Hon FRIBA is an internationally celebrated chronicler of contemporary life\, drawing us into intricately designed works of art with wit and nostalgia. In his work\, Perry tackles subjects that are universally human: identity\, gender\, social status\, sexuality and religion. Autobiographical references—to the artist’s childhood\, his family\, and his cross-dressing—can be read in tandem with questions about décor and decorum\, class and taste\, and the status of the artist versus that of the artisan. The exhibition invites viewers to consider their own connections with the tapestries’ vivid storytelling and rich\, allegorical imagery. \nThe set of monumental tapestries offer a contemporary re-reading of William Hogarth’s A Rake’s Progress\, a series of eight satirical paintings depicting a riches-to-rags tale of Tom Rakewell in 18th-century London. Hogarth’s original paintings were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The Soanes subsequently moved with their art collections to Lincoln’s Inn Fields. However\, Pitzhanger continues to display a full series of framed 18th century engravings of A Rake’s Progress in their original setting of the vibrant red walls of the Soane’s drawing room. Visitors to the exhibition will be in the unique position to be able to compare and contrast both intricately detailed morality tales in the home of Hogarth’s series.
URL:https://artshousemagazine.co.uk/event/grayson-perry-the-vanity-of-small-differences-2/
LOCATION:Pitzhanger Manor & Gallery\, Ealing Green London W5 5EQ\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/07/66140fc356751-13.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240710T080000
DTEND;TZID=Europe/London:20241208T170000
DTSTAMP:20261023T044536
CREATED:20240708T065409Z
LAST-MODIFIED:20240708T065409Z
UID:99291-1720598400-1733677200@artshousemagazine.co.uk
SUMMARY:Grayson Perry: The Vanity of Small Differences
DESCRIPTION:Grayson Perry: The Vanity of Small Differences opens at Pitzhanger Manor & Gallery this July–December 2024. \nFor the first time\, this exhibition brings the Turner-Prize-winning artist’s six large-scale tapestries to a building where William Hogarth’s A Rake’s Progress\, the inspiration behind Perry’s tapestries\, were purchased for and displayed. \nSir Grayson Perry CBE RA Hon FRIBA is an internationally celebrated chronicler of contemporary life\, drawing us into intricately designed works of art with wit and nostalgia. In his work\, Perry tackles subjects that are universally human: identity\, gender\, social status\, sexuality and religion. Autobiographical references—to the artist’s childhood\, his family\, and his cross-dressing—can be read in tandem with questions about décor and decorum\, class and taste\, and the status of the artist versus that of the artisan. The exhibition invites viewers to consider their own connections with the tapestries’ vivid storytelling and rich\, allegorical imagery.
URL:https://artshousemagazine.co.uk/event/grayson-perry-the-vanity-of-small-differences/
LOCATION:Pitzhanger Manor & Gallery\, Ealing Green London W5 5EQ\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/07/66140fc356751-10.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240708T180000
DTEND;TZID=Europe/London:20240711T210000
DTSTAMP:20261023T044536
CREATED:20240708T065144Z
LAST-MODIFIED:20240708T065144Z
UID:99286-1720461600-1720731600@artshousemagazine.co.uk
SUMMARY:Postgraduate Design Show 2024
DESCRIPTION:See some of the newest names from postgraduate design courses at Camberwell College of Arts and Chelsea College of Arts\n\nCamberwell courses:\nMA Designer Maker\nMA Global Collaborative Design Practice\nMA Graphic Design Communication\nMA Illustration\nMA Interior and Spatial Design \nThe following course from Chelsea College of Arts will also be showing:\nMA Textile Design \nOpening times:\nMonday 8 July 12noon – 8pm\nTuesday 9 July 12noon – 9pm\nWednesday 10 July 12noon – 8pm\nThursday 11 July 12noon – 8pm \nLast entry 30 minutes before close
URL:https://artshousemagazine.co.uk/event/postgraduate-design-show-2024/
LOCATION:UAL\, Camberwell College Of Arts\, 45-65 Peckham Road London SE5 8UF\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240706T080000
DTEND;TZID=Europe/London:20240929T170000
DTSTAMP:20261023T044536
CREATED:20240710T064632Z
LAST-MODIFIED:20240710T064632Z
UID:99352-1720252800-1727629200@artshousemagazine.co.uk
SUMMARY:Joy Labinjo: Southwark Park Galleries’ 40th Anniversary Exhibition
DESCRIPTION:For Southwark Park Galleries’ 40th anniversary programme\, British-Nigerian painter Joy Labinjo will present a new body of work that celebrates our local community in her largest London institutional exhibition to date. Taking scenes from Southwark Park and the Bermondsey area as a starting point\, the works will flow and develop from Labinjo’s visits to the park and how she saw people spending time there. \nSourced from a combination of taken and found imagery\, the paintings rely on the sense of the familiar and the hope that a wide range of people will see themselves in the works\, feeling welcome to spend time with them. Labinjo often depicts intimate moments\, both real and imagined\, and often based on figures appearing in family photographs\, found images and historical or archival material. \nIn the past\, she has explored themes such as identity\, political voice\, power\, Blackness\, race\, history\, community and family and their role in contemporary experience. Her distinctive painting style presents fresh and arresting compositions of colour\, pattern and motifs. Fundamentally at the heart of Labinjo’s practice is a bold interest in storytelling and\, ultimately\, people’s lives. Commissioned by Southwark Park Galleries\, London\, and generously supported by Arts Council England\, Tiwani Contemporary\, London\, and OMNI.
URL:https://artshousemagazine.co.uk/event/joy-labinjo-southwark-park-galleries-40th-anniversary-exhibition/
LOCATION:Southwark Park Galleries\, Lake Gallery 1 Park Approach Southwark Park London\, SE16 2UA\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240705T080000
DTEND;TZID=Europe/London:20240915T170000
DTSTAMP:20261023T044536
CREATED:20240704T065807Z
LAST-MODIFIED:20240704T065807Z
UID:99223-1720166400-1726419600@artshousemagazine.co.uk
SUMMARY:Lonnie Holley
DESCRIPTION:Camden Art Centre is delighted to present a major institutional solo show by American artist and musician\, Lonnie Holley (b.1950\, Birmingham\, Alabama). \nThe exhibition will centre new works made during a production residency in the UK earlier this year\, alongside previously unseen sculptures made at The Mahler and LeWitt Studios in Spoleto\, Italy in 2023. A celebrated musician\, Holley will perform a live concert at Camden Art Centre on 5 July. \nActive across more than four decades\, Holley is recognised as an important figure in the Black Art tradition from the southern states of America\, as well as a significant artist in the mainstream of international twentieth century and contemporary art. He has a visionary capacity to intuit and reveal to others the significance\, symbolism and meaning of the overlooked and discarded. He learned how to make art as a child in the ‘creeks and ditches’ around his home in Alabama where he would dig for worms and find buried objects. As if connected to the regenerative cycles of decomposing organic matter in the soil\, and in an act of recuperation\, he introduces a redemptive aspect to rejected objects\, giving them dignity and new life.
URL:https://artshousemagazine.co.uk/event/lonnie-holley/
LOCATION:Camden Art Centre\, Arkwright Road London NW3 6DG\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240704T180000
DTEND;TZID=Europe/London:20240718T210000
DTSTAMP:20261023T044536
CREATED:20240704T070035Z
LAST-MODIFIED:20240704T070035Z
UID:99227-1720116000-1721336400@artshousemagazine.co.uk
SUMMARY:Contemporary Art Studio & INxSANIxTY Studio Presents: "Great News"
DESCRIPTION:Prepare to embark on an artistic journey that delves into the dynamic world of Journalism and Newspapers\, using these mediums as springboards for profound conversations about the Human Experience and the current state of our world. \nExhibition Highlights: \nPaintings: Dive into a collection of visually arresting pieces that merge art with the powerful narratives of journalism. \nSculptures: Encounter intricate sculptures that give tangible form to the concepts of identity and information. \nVideo Art: Experience captivating visual stories that critique and dissect modern media’s influence on society. \nInstallations: Immerse yourself in installations that invite deep reflection on the world we live in.
URL:https://artshousemagazine.co.uk/event/contemporary-art-studio-inxsanixty-studio-presents-great-news/
LOCATION:Contemporary Art Studio\, Fleet Street Studios 8-12 New Bridge Street London EC4V 6AL\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240628T080000
DTEND;TZID=Europe/London:20240807T170000
DTSTAMP:20261023T044536
CREATED:20240625T071007Z
LAST-MODIFIED:20240625T071007Z
UID:99070-1719561600-1723050000@artshousemagazine.co.uk
SUMMARY:James Fisher / Phil Goss: AFTER-IMAGE
DESCRIPTION:“Understand a painting as a sum of chords and once and for all break away from any naturalist idea.” \n~ Edouard Vuillard \nJames Fisher was born in the UK in 1972. He attained a BA at the University of Brighton (1992 – 1995) and an MA at the Royal College of Art (1995 – 1997) and was a recipient of an Abbey Scholarship in Painting at the British School at Rome in 2001. He was awarded a PHD in Fine Art at the University of Gloucestershire in 2009 following a series of exhibitions that explored relationships between painting\, music and text. \nFisher has had nine solo exhibitions including Uchiwa-e Eagle Gallery\, London (2011); My Hopes are not Entirely Hopeless Aldeburgh Music\, Suffolk (2009); I came here a stranger Eagle Gallery\, London (2008); As a stranger I depart Campden Gallery\, Chipping Campden (2008) and The Wanderer Rochester City Art Gallery (2005). He has exhibited in Italy\, Ireland and the UK and has been an invited artist in exhibitions including BITE\, Mall Galleries (2011); ING Discerning Eye\, Mall Galleries and the Royal Academy Summer Exhibition (both in 2010). He has collaborated with sculptor Denise de Cordova on Camouflage – an installation of sculpture and paintings for the London Art Fair 2015.
URL:https://artshousemagazine.co.uk/event/james-fisher-phil-goss-after-image/
LOCATION:Vivienne Roberts Projects\, The Bindery\, 53 Hatton Garden London EC1N 8HN\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240626T080000
DTEND;TZID=Europe/London:20240901T170000
DTSTAMP:20261023T044536
CREATED:20240625T070722Z
LAST-MODIFIED:20240625T070722Z
UID:99065-1719388800-1725210000@artshousemagazine.co.uk
SUMMARY:Francis Alÿs: Ricochets
DESCRIPTION:A major new exhibition by renowned Mexico-based artist Francis Alÿs – his first and largest institutional solo exhibition in the UK for over a decade. \nCelebrating the breadth and importance of his work\, this exhibition stages the UK premiere of his critically acclaimed series Children’s Games (1999-present)\, newly expanded following the Belgian Pavilion at the 2022 Venice Biennale. The exhibition also features a site-specific project in the gallery for the surrounding community and beyond\, offering new perspectives on his prolific career.
URL:https://artshousemagazine.co.uk/event/francis-alys-ricochets/
LOCATION:Barbican Art Gallery\, Barbican Centre London EC2Y 8DS\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240618T080000
DTEND;TZID=Europe/London:20240618T170000
DTSTAMP:20261023T044536
CREATED:20231004T181832Z
LAST-MODIFIED:20231004T181832Z
UID:93450-1718697600-1718730000@artshousemagazine.co.uk
SUMMARY:Installation view of the Summer Exhibition 2022 at the Royal Academy of Arts\, London\, 21 June – 21 August 2022 Exhibition Summer Exhibition 2024
DESCRIPTION:The world’s largest open submission exhibition will return in 2024. Join us for our annual celebration of art in all forms. \n\n\n\n\nHeld every year without interruption since 1769\, the Summer Exhibition showcases a diverse array of contemporary works\, including prints\, paintings\, films\, photography\, sculpture\, and architectural works. \nAnyone can submit their work\, regardless of background or artistic experience. The mix of art by household names\, Royal Academicians and emerging talent is what makes the Summer Exhibition the UK’s best-loved art show. \nMany works will be available to buy and sales will directly support the exhibiting artists and the RA’s charitable work\, including training the next generation of artists at the Royal Academy Schools. \nAs part of the celebration of creativity\, we will also be hosting a range of special events including talks\, workshops and tours.
URL:https://artshousemagazine.co.uk/event/installation-view-of-the-summer-exhibition-2022-at-the-royal-academy-of-arts-london-21-june-21-august-2022-exhibition-summer-exhibition-2024/
LOCATION:Burlington House\, Burlington House Piccadilly\, London W1J 0BD\, London\, United Kingdom
CATEGORIES:Art Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240613T080000
DTEND;TZID=Europe/London:20240908T170000
DTSTAMP:20261023T044536
CREATED:20240607T071329Z
LAST-MODIFIED:20240607T071329Z
UID:98831-1718265600-1725814800@artshousemagazine.co.uk
SUMMARY:Rahima Gambo: Alternative Central Area Locations
DESCRIPTION:Alternative Central Area Locations brings together new and evolving works by Rahima Gambo that examine her diasporic relationship to Abuja\, Nigeria. Using archival records and blueprints as source material\, the exhibition is envisaged as a form of cartography\, drifting from the past into a present and possible future. \nGambo moved to Abuja as an infant just as the city’s identity was forming. A so-called “planned city”\, Abuja was constructed throughout the 1980s after the Nigerian government sought to build a new capital city that would replace Lagos. A conglomerate of five American firms (collectively known as the International Planning Associates) determined that Abuja would be built on the Gwagwa plains\, over 8\,000 km away\, due to the site’s central location and ethnic neutrality.
URL:https://artshousemagazine.co.uk/event/rahima-gambo-alternative-central-area-locations/
LOCATION:Gasworks\, 155 Vauxhall Street London SE11 5RH\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/06/1696912859987_reseller_online-fine-art-market_Respondents_Share_of_Growing_Source_of_Artwo_original-4.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240613T080000
DTEND;TZID=Europe/London:20240616T170000
DTSTAMP:20261023T044536
CREATED:20230827T174142Z
LAST-MODIFIED:20230827T174533Z
UID:92598-1718265600-1718557200@artshousemagazine.co.uk
SUMMARY:Art Basel 2024
DESCRIPTION:Art Basel is a for-profit\, privately owned and managed\, international art fair staged annually in Basel\, Switzerland; Miami Beach; Hong Kong and from 2022\, Paris. Art Basel works in collaboration with the host city’s local institutions to help grow and develop art programs
URL:https://artshousemagazine.co.uk/event/art-basel-2024/
CATEGORIES:Art Fairs
ATTACH;FMTTYPE=image/jpeg:https://artshousemagazine.co.uk/wp-content/uploads/2023/08/Art-Basel.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240612T080000
DTEND;TZID=Europe/London:20240901T170000
DTSTAMP:20261023T044536
CREATED:20240611T070341Z
LAST-MODIFIED:20240611T070341Z
UID:98891-1718179200-1725210000@artshousemagazine.co.uk
SUMMARY:Gavin Jantjes: To Be Free! A Retrospective 1970 – 2023
DESCRIPTION:This timely retrospective of Oxfordshire-based South African painter and printmaker Gavin Jantjes (b. 1948\, South Africa) is his largest solo presentation in the UK to date. It brings together more than five decades of the artist’s diverse and distinctive practice. \nThrough over 100 prints\, drawings\, and paintings\, as well as archival material\, the exhibition celebrates Jantjes as a significant and critical agent of change while tracing his development as a painter\, printmaker\, writer\, curator and activist. \nStructured into chapters spanning 1970 to the present\, To Be Free! focuses on pivotal phases in Jantjes’s life\, from his formative years in Cape Town during the early years of South African apartheid (1948–1994)\, his transformative role at art institutions in the UK\, Germany and Norway\, his compelling figurative portrayals of the global Black struggle for freedom\, to his recent transition to non-figurative painting. Jantjes’ journey embodies a quest for artistic emancipation\, marked by a search for an autonomous form\, freed from Eurocentric traditions and expectations of Black creativity.
URL:https://artshousemagazine.co.uk/event/gavin-jantjes-to-be-free-a-retrospective-1970-2023/
LOCATION:Whitechapel Gallery\, 77-82 Whitechapel High Street London E1 7QX\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240611T080000
DTEND;TZID=Europe/London:20240908T170000
DTSTAMP:20261023T044536
CREATED:20240611T070131Z
LAST-MODIFIED:20240611T070131Z
UID:98886-1718092800-1725814800@artshousemagazine.co.uk
SUMMARY:Rheim Alkadhi: Templates for Liberation
DESCRIPTION:Templates for Liberation is the UK’s first exhibition of artist Rheim Alkadhi. Addressing ongoing consequences of war and colonialism in present-day Iraq and the region at large\, this exhibition presents sculptures\, archival documentation\, and emancipatory counter-histories. The ICA’s main gallery will feature a series of sculptures fabricated from the heavy-duty transport tarpaulins of cross-border industrial vehicles. These sculptures bear the traces of their transnational passage; the material itself embodies the environmental and sociopolitical violence consuming the region. The adjacent reading room offers archival and speculative reference points for thinking about Iraq’s colonial borders\, resource extraction\, and the ensuing practices of biometric categorisation that would exploit ethnic differences for decades to come. Alkadhi conceives of this exhibition as a material template for a set of liberatory encounters: to re-imagine global space—and our agency in our short-term inhabiting of it—proposing ways of refusing the violence and injustice that characterise our times. \nSculptures made from tarpaulin lie directly on the floor\, unfurl in piles\, line the walls and drape from the ceiling. Alkadhi has a long engagement with this material\, typically polyester fabric bonded with polyvinyl chloride (PVC)\, which speaks to the artist’s interests: its fossil-fuel origins and traversals across borders attest to a specific ecological and political reality; and the raw tarp material has an agency of its own. Iraq\, where the artist lived as a child\, is the world’s fifth largest oil and petroleum producer\, and the industry has had devastating environmental effects. The tarps in the exhibition have been salvaged from transport lorries\, those that ubiquitously cross state and national borders with an ease denied to migrants criminalised at the same crossings. Additionally\, the material is physically recalcitrant\, it can be formed\, but only to a degree. The work we encounter in the gallery is of an exchange between the artist\, the material\, and the life the material has lived.
URL:https://artshousemagazine.co.uk/event/rheim-alkadhi-templates-for-liberation/
LOCATION:ICA\, The Mall London SW1Y 5AH\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/06/1696912859987_reseller_online-fine-art-market_Respondents_Share_of_Growing_Source_of_Artwo_original-6.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240608T173000
DTEND;TZID=Europe/London:20240802T193000
DTSTAMP:20261023T044536
CREATED:20240607T071017Z
LAST-MODIFIED:20240607T071017Z
UID:98826-1717867800-1722627000@artshousemagazine.co.uk
SUMMARY:Ajamu X: A Sensual Chorus of Gestures
DESCRIPTION:Calling attention to both the physicality of the photograph and the material process of image-making in the darkroom\, Ajamu X celebrates the beauty and joy of the erotic. In this new group of works\, shot in his London studio\, Ajamu X captures distinct gestures during intimate moments. The bodies depicted are rendered statuesque and seductive\, enshrined in platinum print\, one of the most precious forms of photography. \nThese images are printed on Tosa Washi Japanese-made paper\, a precise and delicate choice that reflects the sensual material\, form and aesthetics of analogue photography. The tangible aspects of those normally hidden processes which transpire in the wet-based darkroom are amplified in a fine art photographic practice that contrasts with our networked digital culture.
URL:https://artshousemagazine.co.uk/event/ajamu-x-a-sensual-chorus-of-gestures/
LOCATION:Amanda Wilkinson\, 1st Floor\, 47 Farringdon Road London EC1M 3JB\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240608T080000
DTEND;TZID=Europe/London:20240802T170000
DTSTAMP:20261023T044536
CREATED:20240729T065319Z
LAST-MODIFIED:20240729T065319Z
UID:99678-1717833600-1722618000@artshousemagazine.co.uk
SUMMARY:Ajamu X: A Sensual Chorus of Gestures
DESCRIPTION:Calling attention to both the physicality of the photograph and the material process of image-making in the darkroom\, Ajamu X celebrates the beauty and joy of the erotic. In this new group of works\, shot in his London studio\, Ajamu X captures distinct gestures during intimate moments. The bodies depicted are rendered statuesque and seductive\, enshrined in platinum print\, one of the most precious forms of photography. \nThese images are printed on Tosa Washi Japanese-made paper\, a precise and delicate choice that reflects the sensual material\, form and aesthetics of analogue photography. The tangible aspects of those normally hidden processes which transpire in the wet-based darkroom are amplified in a fine art photographic practice that contrasts with our networked digital culture. \nThe work of black and LGBTQ+ photographers’ is often appraised largely on the basis of its subject matter and sociopolitical context. Questions of representation are privileged above those of production\, even though the two are inextricably linked. The particularities of the image-making process are frequently overlooked. This body of work addresses this shortcoming by placing marks\, gestures and ‘mistakes’ at the centre of the work; foregrounding the sensual/material aspects of the physical creation of images whose subject-matter is similarly focused on sensuality. \nThe exhibition will be accompanied by a publication featuring a text by maddison moore\, an artist-scholar\, DJ and Assistant Professor of Modern Culture and Media at Brown University\, Providence USA.
URL:https://artshousemagazine.co.uk/event/ajamu-x-a-sensual-chorus-of-gestures-2/
LOCATION:Amanda Wilkinson\, 1st Floor\, 47 Farringdon Road London EC1M 3JB\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/07/66140fc356751-18.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240607T180000
DTEND;TZID=Europe/London:20240803T200000
DTSTAMP:20261023T044536
CREATED:20240605T070701Z
LAST-MODIFIED:20240605T070701Z
UID:98772-1717783200-1722715200@artshousemagazine.co.uk
SUMMARY:Labyrinth
DESCRIPTION:Elizabeth Xi Bauer is delighted to present Karoliina Hellberg’s first UK solo exhibition. The Gallery will exhibit new works by the artist and a wallpaper print designed and executed by Hellberg for this upcoming solo show. \nKaroliina Hellberg lives and works in Helsinki and is known for her large\, vibrant oil\, acrylic\, and ink canvases. Her work immerses the viewer in a world of repeated imagery\, signs\, and symbols\, a labyrinth of spaces and places\, combining layers\, forms\, and elements. The artist blends dream-like visions and narratives that merge the everyday with the ethereal. This is explored with pictorial tropes such as indoor scenes\, plants\, flowers\, clouds\, animals\, and textiles\, which are remembered\, imagined\, or inspired by researched source material.
URL:https://artshousemagazine.co.uk/event/labyrinth/
LOCATION:Elizabeth Xi Bauer\, Elizabeth Xi Bauer Gallery London SE8 3DX\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/06/661e645cd2d89.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240607T180000
DTEND;TZID=Europe/London:20240727T193000
DTSTAMP:20261023T044536
CREATED:20240605T070437Z
LAST-MODIFIED:20240605T070437Z
UID:98768-1717783200-1722108600@artshousemagazine.co.uk
SUMMARY:Paul Winstanley: Reprise
DESCRIPTION:For his solo show at Cristea Roberts Gallery\, Winstanley presents new hand-coloured prints and paintings. Through the process of printing the works are gradually divorced from their subject matter\, leaving the viewer to imbue the compositions with their own interpretation. Interested by the aesthetics of the sublime\, Winstanley explores how pictures can mythologise reality.
URL:https://artshousemagazine.co.uk/event/paul-winstanley-reprise/
LOCATION:Cristea Roberts Gallery\, 43 Pall Mall London SW1Y 5JG\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/06/6580144ddfc53-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240606T080000
DTEND;TZID=Europe/London:20240713T170000
DTSTAMP:20261023T044536
CREATED:20240604T070929Z
LAST-MODIFIED:20240604T070929Z
UID:98735-1717660800-1720890000@artshousemagazine.co.uk
SUMMARY:Sean Landers: Animal Portraits
DESCRIPTION:Timothy Taylor is pleased to present Animal Portraits\, an exhibition of new paintings by Sean Landers. The artist’s debut presentation with the gallery since the announcement of his representation in 2023 will feature eight canvases from a new series of animal portraits. These works reflect his evolving relationship to the many dimensions of making art. \nIn his recent paintings\, Landers surrounds wild animals\, many of them native to the UK\, with texts revealing the artist’s sense of existential awareness. Rendered with sharp\, careful detail\, his creatures-a grey wolf\, a red fox\, a cougar-gaze back at the viewer or look knowingly beyond them. Each animal stands within an idyllic landscape punctuated by vernacular signposts or aspen trees bearing telling inscriptions. In Its Own Reward (Great Horned Owl) (all paintings 2024)\, an exquisite horned owl perches on the branch of a tree where a series of texts has been carved. “We exist so briefly…the privilege of life is its own reward.” For Landers\, this painting reflects his state of mind in the current moment; reflecting on the dynamics of his more than thirty-year career\, he finds deep pleasure in the process of painting with virtuosity and without posturing.
URL:https://artshousemagazine.co.uk/event/sean-landers-animal-portraits/
LOCATION:Timothy Taylor\, 15 Bolton Street London W1J 8BG\, London\, United Kingdom
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240605T080000
DTEND;TZID=Europe/London:20240720T170000
DTSTAMP:20261023T044536
CREATED:20240604T071209Z
LAST-MODIFIED:20240604T071209Z
UID:98740-1717574400-1721494800@artshousemagazine.co.uk
SUMMARY:Sofia Mitsola Villa Venus: The Garden
DESCRIPTION:Pilar Corrias presents Villa Venus: The Garden\, an exhibition of new paintings\, sculpture and animation by Sofia Mitsola – the latest chapter in the artist’s ongoing series depicting a utopian\, Cycladic island ruled by her female characters. \nUsing a saturated palette\, Mitsola layers washes of vivid\, unadulterated colour with large\, immediate brushstrokes and thick impasto. In various states of repose\, her protagonists inhabit palatial spaces with self-possession and ease\, in turn demanding that the viewer reckon with their own gaze. Do these figures pose for our gratification or their own? Are their brazen stares invitations or predatory?
URL:https://artshousemagazine.co.uk/event/sofia-mitsola-villa-venus-the-garden/
LOCATION:Pilar Corrias\, Savile Row\, 2 Savile Row London W1S 3PA\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/06/1696912859987_reseller_online-fine-art-market_Respondents_Share_of_Growing_Source_of_Artwo_original-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240605T080000
DTEND;TZID=Europe/London:20240706T170000
DTSTAMP:20261023T044536
CREATED:20240604T070609Z
LAST-MODIFIED:20240604T070609Z
UID:98731-1717574400-1720285200@artshousemagazine.co.uk
SUMMARY:Here & Now
DESCRIPTION:JD Malat Gallery’s forthcoming group exhibition\, Here & Now\, will bring together both represented artists and new artistic voices from outside of the gallery’s roster. Presenting a convergence of diverse practices and creative visions\, Here & Now seeks to demonstrate the multifaceted approaches of contemporary artists working today\, capturing a vivid picture of identity\, the human experience\, and the raw vulnerabilities of modern life. \nHere & Now strives to amplify the socially engaged nature of diverse artistic practices by bringing together recent work by previously exhibited artist Marcel Rusu and gallery artists Emily Gillbanks\, Sophie-Yen Bretez\, Georg Oskar\, Celine Ali\, Ayanfe Olarinde\, Yann Leto\, Ur Kasin\, Ed Moses\, Andy Moses\, Santiago Parra\, Luis Olaso\, and Conrad Jon Godly. The exhibition will also present works for the first time by artists Horacio Quiroz\, Hattie Malcomson\, Mehmet Cevik and Mark Jenkins.
URL:https://artshousemagazine.co.uk/event/here-now/
LOCATION:JD Malat Gallery\, 30 Davies St London W1K 4NB\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/06/6580144ddfc53.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240531T180000
DTEND;TZID=Europe/London:20240706T200000
DTSTAMP:20261023T044536
CREATED:20240531T071332Z
LAST-MODIFIED:20240531T071332Z
UID:98678-1717178400-1720296000@artshousemagazine.co.uk
SUMMARY:Yi To: To be dispersed\, not to disappear
DESCRIPTION:The metaphor of excavation plots the line of enlightenment. Ours has been a constant search for the grammar of life: methods by which we can extract sense from non-sense\, decipher meaning from chaos\, find vocabulary for the wisps we once resorted to calling ‘ghosts’. In its making visible the invisible\, the act of excavation seeks to rescue the intelligible from the darkness of ignorance by reconstituting\, piecemeal\, fossilised memory. So begins the philosophical conundrum in which Hong Kong born artist Yi To prefigures the materiality of fragmented body\, and its reappearance in the virtual as sign. \nWhat happens with the immense onslaught of time\, its unerring passage? A document\, artefact or vestige of life that endures erasure appeals to the unconscious vis a vis aesthetic sensibility before anything else. Like To’s work\, that which issues from bygone eras hovers someplace between figuration and abstraction\, and occasions a reading that relies\, firstly\, on intuition. From the presence of the golden spiral in the human ear\, to the ability of an amoeboid organism to solve a maze\, to the sophistication of the self-assembling flagellum\, the wonderment in intuition is perhaps its intimation of intelligent design.
URL:https://artshousemagazine.co.uk/event/yi-to-to-be-dispersed-not-to-disappear/
LOCATION:Alice Amati\, 27 Warren Street London W1T 5NB\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/05/1696912859987_reseller_online-fine-art-market_Respondents_Share_of_Growing_Source_of_Artwo_original-42.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240530T180000
DTEND;TZID=Europe/London:20240712T200000
DTSTAMP:20261023T044536
CREATED:20240528T065410Z
LAST-MODIFIED:20240528T065410Z
UID:98595-1717092000-1720814400@artshousemagazine.co.uk
SUMMARY:Lucía Pizzani
DESCRIPTION:Cecilia Brunson Projects is pleased to present the gallery’s third solo exhibition by Lucía Pizzani (b. 1975\, Caracas). Pizzani’s research-based practice\, informed by her studies in conservation biology and her involvement in Venezuela’s environmental movement\, is concerned with the intertwining narratives of natural and human histories. In this immersive exhibition\, Pizzani presents newly commissioned and site-specific works which hold in their material makeup interspecies stories of migration: of plants and their products\, cultural practices\, and the artist’s own migration from Venezuela to London. \nPizzani presents new ceramic works\, including her freestanding sculptural Flora Totems made at Rochester Square\, London. Sites of cultural convergence\, they are made from English clay and white slip\, and imprinted with plants such as corn and eucalyptus\, as Pizzani invokes the histories of flora both native and imported to South America. These anthropomorphic\, guardian-like sculptures watching over the gallery space reflect Pizzani’s tendency to identify spirit-like imagery within natural forms\, exploring concepts of interconnectivity across plant and animal worlds.
URL:https://artshousemagazine.co.uk/event/lucia-pizzani/
LOCATION:Cecilia Brunson Projects\, 3G Royal Oak Yard (end of yard) London SE1 3GE\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://artshousemagazine.co.uk/wp-content/uploads/2024/05/661e645cd2d89.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240529T180000
DTEND;TZID=Europe/London:20240713T200000
DTSTAMP:20261023T044536
CREATED:20240528T065113Z
LAST-MODIFIED:20240528T065113Z
UID:98590-1717005600-1720900800@artshousemagazine.co.uk
SUMMARY:Weer Loo - The Cry Of The Curlew
DESCRIPTION:JGM Gallery presents Weer Loo – The Cry Of The Curlew\, an exhibition of watercolour and acrylic paintings by Hubert Tjapaltjarri Pareroultja\, a proud Arrernte man living and working on Country in his traditional homelands of Ntaria\, South Central Australia. \nPareroultja is the inheritor of one of Australia’s most significant – and certainly longest lasting – artistic movements. His work represents a continuation of what is known as the Hermannsburg School\, a style pioneered by Rex Battarbee and Pareroultja’s uncle\, the great Albert Namatjira. Although\, of course\, each exponent of this style has their own visual lexicon\, what unites almost all their work is a hybridity of the one point perspective of European landscape painting\, and the earthbound philosophy of the Arrernte. The resulting aesthetic is luminous and almost hallucinatory in its effect. Shadows are often painted as variations in colour rather than tone\, adding to the descriptiveness of the pictures\, revealing as it does aspects of the land that would otherwise remain obscure. There is consequently a heightened sense of one’s surroundings\, as though Pareroultja’s brush elucidates more from the land than the naked eye.
URL:https://artshousemagazine.co.uk/event/weer-loo-the-cry-of-the-curlew/
LOCATION:JGM Gallery\, 24 Howie Street London SW11 4AY\, London\, United Kingdom
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END:VEVENT
END:VCALENDAR