Art
Urban Aboriginal art takes centre stage at the 2024 Sydney Biennale
Search for the origins of contemporary Indigenous art in Australia and the answer is surprisingly specific: the Northern Territory town of Papunya, c1971, with a depiction of the Honey Ant Dreaming ancestral tale in a large-scale mural. This was the birth of “dot painting”, the reproduction on paper or canvas of traditional styles of sand and body ceremonial art, and it brought global fame to artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa.
In the minds of many outside Australia, Aboriginal art, both old and new, is linked to remote areas of the country. Yet contemporary Indigenous art has always had an urban side, most notably in Queensland art schools in the 1980s, where students included Tracey Moffatt, who became the first Indigenous artist to represent Australia in a solo show at the Venice Biennale, and the brilliant Gordon Bennett, who skewered colonial history by appropriating large chunks of western art.
Read more: https://www.ft.com/content/d819b351-4e98-4ee8-978e-3916bcf2baf8#comments-anchor
Recently, a vibrant array of potted flowers in various shapes and colors greeted visitors at the Chongqing Zoo, capturing the attention of everyone entering the zoo.
“I’ve been looking forward to this exhibition for a long time,” said Ms. Li, a local resident. “I heard there would be many exquisite floral arrangements and potted plants, so I rushed to bring my family here as soon as it opened. It’s a wonderful way to kick off the New Year and soak in some artistic atmosphere!”
Read more: https://www.cqnews.net/1/detail/1324322687267987456/app/content_1324322687267987456.html
Gabriel Martinez talks with Robert Boyd about Charles Burns, Gary Panter, and the art of underground comics.
“The publishing industry doesn’t work the way the art industry does. You have a royalty system. Whereas if you resell a painting, unless you’re in California, the artist doesn’t get anything.”
To play the podcast, click on the orange play button below. You can also find Glasstire on Apple Podcasts and on Spotify.
Read more: https://glasstire.com/2024/09/22/art-dirt-robert-boyd-on-the-art-of-underground-comics/
The Literature and Language Reading Room is what I would consider a semi-hidden gem amidst the physical spaces that make up UIUC’s massive and impressive library. Lined with massive windows and perimeter bookshelves, it’s difficult to physically miss. However, to gain the full aesthetic experience, one needs to linger. Understandably, this is a difficult task for a busy student. Trust me…I know. However, if you feel the time has finally come to check it out, I highly encourage you to drop in while the newest exhibit, Image + Verse: Poetry Inspired by Art, is still on display.
As both an art and poetry enthusiast, it felt like a dream come true to hear about the library’s collection being highlighted in this way. Two glass cases greeted me at the entrance, and I immediately spotted a few of my favorite collections bookmarked and propped open. Reading the familiar words in tandem with the art displays warmed my heart. The affection of the curator for art and poetry also seemed to be on full display. I couldn’t help but wonder more about their ideas and inspirations.
Read more: https://www.smilepolitely.com/arts/the-art-of-poetry-on-display-at-the-university-of-illinois/
