London Art
Frame Of Mind: Meet Oyinkansola Dada, The London Gallerist Spotlighting Art From Across The African Diaspora
Oyinkansola Dada is recalling the first art show she ever put on: it was 2018 and she had rented a gallery space in her home city of Lagos from a friend. “We kept people outside for almost two hours on opening day, as we were still painting upstairs,” the 27-year-old says today, perched on a Ligne Roset sofa in the living room of her apartment in Pimlico, central London, a large abstract painting by Nigerian artist Fidelis Joseph behind her. “But I’m glad I made the leap – it laid the foundations for what was to come next.”
The youngest of 10 siblings, Dada describes a “sheltered” childhood where art was not a main focus. That all changed when she swapped Nigeria for London, aged 17, to study law and politics at King’s College. There, she started a blog, Polarctics, to further explore her interest in African literature, art and culture. An internship at the Art X Lagos fair in 2017 further stoked her ambition and, just four years later, she launched her namesake Dada Gallery.
Read more: https://www.vogue.co.uk/article/oyinkansola-dada-gallery-interview
In this post, I summarise every exhibition I’ve seen over the last few weeks, not just those I write about in other publications, and you get my honest thoughts on them.
This shorter version covers the final shows I caught in December, so I’ve made it free for all subscribers. The normal fuller-length diary entries will resume in two weeks, make sure you’re a paid subscriber to receive those and future interviews.
Read more: https://londonisturbanpalette.substack.com/p/diary-of-a-london-art-critic-the?utm_medium=web
As the art market shows signs of slowing, London is looking to attract a new generation of art buyers — and showcase young emerging artists in the process.
Global art sales slid 4% year-on-year in 2023, according to the Art Basel & UBS Art Market Report 2024, falling to $65 billion after two years of growth.
It has led industry professionals — such as Elio D’Anna, co-founder and CEO of the House of Fine Art (HOFA) gallery in London’s Mayfair district — to shift their focus toward both younger collectors and younger artists.
“Five years ago … our target was more in the 35- to 45-year-old buyers, almost 50/50 men and women. But now we are seeing more the 25- to 35-[year-old] buyers,” he told CNBC’s “The Art of Appreciation.”
This increase in younger collectors comes as artificial intelligence — and how it can be used to create work — remains a hot topic in the art world.
It’s certainly a focus for D’Anna. HOFA represents artist Sougwen Chung, who uses a robot Chung designed to co-create work. Chung, who uses the pronoun they, calls the machine a drawing operations unit, or DOUG.
Read more: https://www.cnbc.com/2024/11/28/art-in-london-the-city-wants-to-attract-younger-collectors.html
The JD Malat Gallery hosts contemporary Romanian artist Ur Kasin’s debut solo exhibition in London. Titled All Is Blurred, the show features six monumental compositions “that explore the psychological journey of a character that he has created, navigating his way through a complex and unforgiving world.”
Kasin subverts the traditional subject matter of the large-scale canvas, typically reserved for grand historical subjects, by focusing on everyday actions, the gallery explained.
“Whether it’s enjoying a glass of Asahi, indulging in that McDonald’s drive-through meal, or clutching onto your morning coffee as you rush to work: Kasin depicts these habitual actions, inviting viewers to look beyond the ordinary. What initially seems like routine behaviour reveals deeper layers of hidden pressures and unhealthy societal habits embedded in our daily lives, transforming common actions into a powerful critique of contemporary culture,” reads the press release.
Read more: https://www.romania-insider.com/ur-kasin-exhibition-london-gallery-nov-2024
