Global Art Market
Mindanao Artist Bong Perez’s ‘Banikanhon’: Art With A Local-Global Dynamic
Mindanao artist and pedagogue Teddy Boylie “Bong” R. Perez will hold his 16th solo exhibit, “Banikanhon,” at the National Commission for Culture and the Arts (NCCA) Gallery in Intramuros, Manila, on Sept. 5 to 29. It will be the first time for Perez to be exhibiting at the gallery of what in effect is the country’s cultural ministry, which has lately been offering venue grants to artists from the regions.
Perez is one of Davao City’s most dominant artists. He has received the Datu Bago Award, the highest recognition bestowed by the city government to its residents. The NCCA Gallery exhibit is expected to establish more firmly his artistic foothold in the national imaginary.
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Global Art Market
Christie’s CEO on hopes for new Asia HQ in Hong Kong, and its place in global art market
The usually smooth back and forth between auctioneer and bidder had an unexpected hitch during the sale of the top lot in Christie’s evening sale in Hong Kong on September 26.
Xin Li, deputy chairman at Christie’s, indicated to veteran auctioneer Adrien Meyer that her client on the phone wanted to place a bid for Vincent van Gogh’s Les Canots Amarrés (1887).
Instead of just adding a standard increment to the last bid, which was already at around HK$200 million (US$25.7 million), she hesitated and then blurted: “26 million!” Her client, it
“You can either buy clothes or buy pictures.” (Gertrude Stein)
The air will be filled with a different kind of buzz in Seoul this week as it hosts the third annual international art fair, Frieze Seoul. Over 110 leading art galleries worldwide will assemble for four days at the COEX Convention and Exhibition Center in Gangnam to showcase various works of contemporary art to guests and collectors. There promises to be no shortage of side events taking place throughout the city in coordination with the exhibit. Attendance this year is expected to be similar to the past two years at about 70,000 participants, which is larger than Frieze Los Angeles (roughly 35,000) and Frieze New York (roughly 25,000) combined but still slightly smaller than Art Basel Hong Kong or Frieze London (each at about 85,000). The event is part of a broader trend that suggests South Korea is emerging as a tour de force in the art world.
Read more: https://keia.org/the-peninsula/south-koreas-emergence-as-a-hub-in-the-global-art-market/
